by Jed Pressgrove
You can read my full review of A Way Out here.
1. Video games tend to demonstrate the usefulness of a shotgun at close range. Real shotguns are indeed scarily devastating up close. But a lot of developers seem to assume the shotgun can’t put someone down at a distance, even though the actual weapon can still be a force to be reckoned with at 50 yards (and in some cases, 100 yards or more). A Way Out doesn’t hold this absurd assumption, and I find that interesting given that the game’s focus isn’t shooting. This is not to say I was particularly impressed by the shootouts in A Way Out from a kinetic or mechanical standpoint. The game’s gunfights are part of director Josef Fares’ larger goal to deepen the bond between players, and this emotional purpose makes the climactic battle that much more affecting.
2. Although Fares’ first game Brothers: A Tale of Two Sons was great overall, it did feature one extremely tired and stereotypical idea: the spider woman. A Way Out has its own cringe-worthy flaw. At one point in the game, you visit a trailer park. For the most part, the residents of the park are depicted as everyday people, but an optional little story at the location involves a man cheating on his woman. This man’s name is Cletus, and that silly name, along with his dialogue (“I gots to go”), indicates that Fares, as much of a humanist as he generally is, is not above resorting to a lazy caricature for a laugh. Some might wonder why I didn’t mention this scenario in my review, as I have taken other games, such as Resident Evil 7 and Mafia III, to task for using obvious stereotypes. Here’s my explanation: while games like Resident Evil 7 and Mafia III rely on stereotypes to exploit fears and prejudices that people may have, A Way Out simply slips up during one moment that some people may not even see. That the stereotype in question is, like me, a rural white man doesn’t change this point.
3. A Way Out features the best game within a game since The Mercenaries (from Resident Evil 4): Grenade Brothers. This gem could warrant its own review. It’s essentially a strange volleyball game that is reminiscent of Pong from a visual standpoint. Unlike volleyball, there is a wall behind you, and you can legally deflect the ball off the wall. You can also volley to yourself as many times as you want before sending the ball over the net. I was immediately taken by the concept (side note: my friend on the couch didn’t stand a chance against me). Perhaps more significantly, this competition foreshadowed the 180-degree turn toward the end of the game.
4. If you like movies, Fares’ pulpy but moralistic approach in A Way Out is reminiscent of Samuel Fuller’s work. Moreover, the game’s emphasis on masculinity brings to mind directors like Sam Peckinpah and David Ayer.