by Jed Pressgrove
In my list of the 10 worst games of this year, I revealed my distaste for 2019 from a historical standpoint. But even during a year that caused me to question why I continue to spend so much time on gaming, my love for the art form remains strong. The following 10 titles spoke to me in very different ways. Several of them are tied to genres that typically fail to spark my imagination or maintain my interest. No matter the year, there are always miracles, there is always magic.
1. Shenmue 3
Every aspect of Shenmue 3 is personal and relevant to the philosophical values that power the creative mind and, I believe, the heart of Yu Suzuki. Shenmue 3 shows us by example what pop gaming has gotten wrong. In Suzuki’s world, there are no false promises of freedom, there are no lazily crafted NPCs, and there are no systems that seem tacked on in order to cash in on the capricious desires of a restless audience. Instead, there is a morality at play in Shenmue 3. Suzuki reminds us, whether through mechanics or dialogue, that dignity, patience, and interpersonal interaction give life richer meaning. 2019 saw no greater moment in games than when Ryo and Shenhua learn that they were often the same type of kid growing up despite their ethnic differences. With this scene, Shenmue 3, which takes place in 1987, recalls how pop artists, from Prince to Michael Jackson, once propagated the notion that nothing should separate us. You may call Suzuki’s humble recognition of common humanity corny. I call it real and necessary in a cynical world that wants us to segregate ourselves.
2. Dirt Rally 2.0
Developer Codemasters’ simulation of rallying here is special, not to mention electrifying and nerve-wracking. By enhancing how the player senses disparities in road conditions, Dirt Rally 2.0 opens the average person’s eyes to the outstanding bravery and determination of athletes who don’t get the universal credit they deserve. The challenge of this game could break the will of many a From Software worshiper. I’ll never look at competitive driving the same way again.
3. The Stillness of the Wind
The Stillness of the Wind continues to whisper to you long after its emotionally complex ending. A spiritual experience, this effort from Coyan Cardenas avoids a pandering, sentimental approach as it depicts the rural existence of its elderly female protagonist. Equal parts haunting and inspiring, The Stillness of the Wind counters the immature fantasy of Stardew Valley and asks us to consider the paradox of living a convicted life of labor.
4. Lonely Mountains: Downhill
The first word of this game’s title gets it all wrong: there’s nothing lonely about exploring the natural world on one’s own terms. The bicycling of Lonely Mountains: Downhill is dangerous fun, as well as stunningly tactile. The photo modes of your favorite open-world smorgasbords can’t teach you how to appreciate the exciting yet unforgiving quality of an untamed landscape like this game (hilariously) can.
5. Fire Emblem: Three Houses
Figures that the most morally complicated Fire Emblem of the decade gets overlooked by many end-of-year award panels. Admittedly, Three Houses is almost epic to a fault, but its larger sociological point — that social institutions and movements drive individuals to violence against each other — carries undeniable weight. With the video game soundtrack of the year and passionate voice acting, Three Houses effortlessly conveys the gravity of its characters’ tragic hopes and dreams.
The stripped-down city building of Islanders registers less as easy escapism and more as a logical exercise in efficiency. Like any good builder, this game is full of decisions and long-term consequences; the whole affair is simply presented with a coherence and simplicity that should make any developer jealous of GrizzlyGames. The intense focus of Islanders is like that of an arcade game, but somehow this simulation also manages to be relaxing.
7. Pathologic 2
One could argue that the nightmare logic of Pathologic 2 should be interpreted as misery porn. But hidden in the oblique dialogue and bleak imagery of this game is a lesson about the folly of pride and assumption. As one grapples with the intended difficulty setting of Pathologic 2, the harsh proceedings should raise questions about the intentions of the protagonist and the player. What are we trying to prove when we step in to save the world, especially when we take too long to take on the responsibility?
8. Baba Is You
Not since Scribblenauts have I found that a failed attempt at solving a puzzle can be just as enlivening as arriving at the solution. Unlike Scribblenauts, Baba Is You doesn’t allow one to fudge their way through anything. To advance in Baba Is You is to have a deep appreciation for logic, language, and patience.
9. Ape Out
Its hero is both violent and sympathetic. Its music is both entrancing and distracting. Its visuals are both minimalistic and over the top. Ape Out operates like an accident, yet it demands precision. A shell shock of a game.
10. Battle Planet: Judgement Day
Battle Planet: Judgement Day more than lives up to its ridiculous title. This deceptively simple shooter literalizes the concept of a lone force that can take out every threat in the world. An amusing mixture of twin-stick shooting and Super Mario Galaxy, Battle Planet: Judgement Day is far smarter than it appears in how it requires the player to think about when to use power-ups, which can be saved for later waves of enemies, and to maintain the stability of the planet by defusing bombs. Act without a multi-layered strategy, and your silly goal of being a one-person wrecking machine will swiftly end. For sheer kinetic thrills, Battle Planet: Judgement Day has few peers in 2019.