by Jed Pressgrove
No one could blame the latest Wolf Among Us episode if it were simply trashy, but I wouldn’t let my garbageman play this. The monotonous violence that essentially bookends this entry (“A Crooked Mile”) suggests that inspiration can be fleeting in Telltale’s rigid format. The decision to release adventures in five-episode shells clearly favors business over creativity. Only a few moments of hesitation and reflection keep Episode 3 from being straight-up filler.
Telltale thankfully hasn’t forgotten the hook of The Wolf Among Us — how the soul and duty of the Big Bad Wolf are intertwined. Even in this weak episode, the moral fiber of the game remains far more sophisticated than The Walking Dead’s sentimental and violent babysitting simulation. That a simple choice about respect for the dead is considered a major decision highlights a subtlety in The Wolf Among Us that most games don’t have (A Game of Cat and Mouse comes to mind as an exception). Moreover, the influence of Snow White on one’s actions is legitimately powerful, as pointed out by Alexa Ray Corriea.
Unfortunately, The Wolf Among Us also seems to be interested in being a dumb action show, which doesn’t work given the increasing gravity of its story. The gunshots in this new episode have a Harrison Bergeron effect, dulling the game’s intellectual senses. Forget about the annoying button mashing: the violence demonstrates little more than the fact that we can liken the Big Bad Wolf to the indestructible X-Men character, Wolverine (as if the hair, attitude, and Jean Grey/Snow White similarity weren’t enough). The last big decision is simultaneously an unimaginative Berserker Rage reference and a holdover of The Walking Dead’s corny “Whoya gonna save/kill?” dynamic. This lame conclusion is punctuated by a new character who comes onto the scene like a Dragon Ball Z villain, full of boring, idiotic things to say. Yep, this isn’t trash; it’s more like litter.
The limited commentary on class struggle can’t overcome how dull the investigations are compared to those of the first two episodes. The single exception is the investigation of Auntie Greenleaf’s house. This scene, however, exploits political tensions as opposed to presenting the moral and legal concerns of the situation coherently.
The Wolf Among Us has become more sentimental and obvious with this glaring fragment of a game. Even without endings, the previous two episodes were unique, energizing stories. Episode 3 is Telltale playing that old television trick of fulfilling the obligation of a numbered episode. Asking ourselves why we crave another episode can tell us a lot about the last one we experienced.